The work steams from a family photographic archive spanning two generations, reworked through a process of scanning and cropping that isolates portions of the image, removing them from their original function. Once detached from their context, these details are brought into relation, generating a dialogue across different temporalities. Within this shift, the chronological dimension weakens, giving way to a circular perception of time, in which images distant from one another seem to belong to a single recursive movement. The project revolves around the idea of eternal return, understood here as a visual experience in which each image appears to belong to a repetition that has already occurred.
